{ Artist Book : Green Grass & High Tides } : Winter 2021 //

Artist Books are some of my absolute favorite books to work in and to develop as a Book & Paper Artist. With so many found, handprinted and gel printed papers that are way too beautiful to throw away, Artist Books are the perfect solution to house funky collages and practice mark-making and hand lettering.

Artist Books take me YEARS to complete. As I loose interest or motivation in a particular book, I put it away and wait for inspiration to return. This way I have lots of techniques to choose from as my skills develop and I can watch my progress as an Artist over the years. The collages that you see now are not what the final collage will look when completed.

This Artist Book below is 4.5 x 8 x 1” using Canson Watercolor paper. There are (5) signatures bound together using a coptic stitch. In each of the pictures below, I describe the materials I use to create the collages that you see.

The cover of this book was created using a brown grocery bag. The hand lettering was applied using black walnut ink and a handmade cola pen. Collage papers include spray ink (my favorite are Dylusions!), handprinted papers using acrylics and handmade stamps and the black fern prints with a bleach discharge. The back cover is eco-printed on reclaimed wool.

This spread includes found papers, reclaimed paint chip, one of those beautiful gel printed paper scrap, scrapbook paper and hand lettering. I practice hand lettering as often as possible. Artist Books are a great place to work on that particular skill!

This spread includes spray inks, mark-making using black India ink and another handprinted gel print on found paper.

This spread includes spray ink, mark-making using black india ink applied with a handmade cola pen and elementary handwriting paper.

This spread includes spray ink background, watercolor (wet on wet application), hand lettering using black walnut ink applied using a handmade cola pen, and various found papers

How about you? Do you have books that you like to work in? How do you like to work in them? And if you are looking for the next installment of my Printmaking Series…do not worry! It is coming up in my next post. I got excited working in my Artist Books and wanted to share!

{ Little Red Corvette } : 3x 5 x 1" : New Work by Becca Imbur // November 2020

{ Little Red Corvette } : 3 x 5 x 1” : Spine View

{{ Little Red Corvette } : 3 x 5 x 1” : Front View

{ Little Red Corvette } : 3 x 5 x 1” : Back View

{ Little Red Corvette } : 3 x 5 x 1” : Binding View

{ Designing Artist Books : September 21-22, 2019 } // Floyd, VA

I will be hosting ‘Designing Artist Books’ at the Floyd Center for the Arts. If you want to learn how to make super funky papers…(or what to do with all those papers taking up space that are too beautiful to throw away), this weekend workshop is for you! In addition to making a TON of vibrant, handprinted papers, we will learn how to use everyday household items as stamps, using our handwriting as pattern, easy collage techniques that make a big impact and more!

{ INK INSPIRATIONS : PART ONE } : Sketchbooks // Oct-Nov

And the ink experiments carry on! I am working in so many different books at the moment and have no plans to stop any time soon. I am becoming more comfortable experimenting with color and bringing in experimental calligraphy with cola pens. My next step is to go in and add details with gel pens…a step I cannot wait to begin!

{ I RULE MY DESTINY } : A Summer 2005 Art Journal Revisited

I distinctly remember this summer. One of my last true hurrahs while in my 20s. Way too much drinking, smoking and dancing my ass off. I had a great summer with a man I am still in touch with online. Every weekend (and let's be honest...sometimes we bailed on work, too) we would travel to wherever the music was to take it all in. I lived right outside of Asheville, NC at the time, so music and art were easily accessible and we took advantage of it often. We traveled to San Fran to check out a 3 day WSP show, went to Charleston, SC to see Rusted Root and Atlanta, GA to check out Spoonfed Tribe. The music was endless and so were the nights!

In my first art journals, I would burn the edges of my paper prior to gluing them. I did not want the straight edge of cutting but I had not learned to appreciate the wabi sabi of torn edges.

I had not developed my own style yet and was looking in books to copy other artists. At the time, I lived in the middle of nowhere and the internet was not something people had in their homes yet. I do remember this hand drawn guy. I had said, "Gravy, Baby" to a friend of mine who thought I said, "Groovy, Doobie." We thought this was hilarious.

Even back then, I was drawn to weird and freaky images. I have embraced them more as I grow more confident with my style. I think getting older has helped me too. I make art that I like and am not so worried about what others think (or what will sell).

My love of stamps is obvious in my earlier work. The only stamps I use now are handmade and I never use letter stamps. I have grown more confident with my handlettering.

The one and only time I ever used feathers in an art journal spread...

Don't really use the ribbon or fibers techniques either...although I think children would love to use them in their art journals they make with me at camp this summer!

And finally, my life long love, Keller Williams! Have not seen him live in years. I grow more introverted the older that I get and going to large music events with lots of people is not as appealing as it was when I was younger. But the summer of 2005 was a good one.

Does the simplicity of this art journal inspire you? It's small, portable and easy to fill. I am taking a trip to CA this summer to visit family and I think it might be time to try this again...this time with my lovely 6 year old in tow...